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“…anytime I go anywhere with a camera, whether it be my top-of-the-line pro body with fifteen lenses and smart flash or a simple point-and-shoot, I might take the best photograph of my life. If, however, I trapped myself into believing that success of my style would only come through in the grainless technical perfection of a cumbersome larger format or the heady fine art of a preconceptualized composition, then I would lose much of the magic that drew me to photography in the first place.” Galen Rowell.

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Hi,I enclose another 2 photographs are a little change set of lighting. Gold blend abow a camera super brightens the label but unfortunately leaves a reflection on the bottle. Therefore, it is not a good solution, bearing in mind take a picture that does not require processing in Photoshop. Write these photographs whether you liked and what else can you possibly can re them to be perfect?

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1.) Good tools just get out of the way and make it easier to get the results you want. Lesser tools may take more work.
2.) They add durability for people who use these tools hard all day, every day.
3.) Advanced users may find some of the minor extra features convenient. These conveniences make the photographer's life easier, but they make the photos any better.
4.) Hey, there's nothing wrong with the best tools, and if you have the money to blow why not? Just don't ever start thinking that the fancy tools are what created the work.

"Any good modern lens is corrected for maximum definition at the larger stops. Using a small stop only increases depth..." Ansel Adams, June 3, 1937, in a reply to Edward Weston asking for lens suggestions, page 244 of Ansel's . Ansel made fantastically sharp images seventy years ago without wasting time worrying about how sharp his lenses were. With seventy years of improvement we're far better off concentrating on making stunning photos than photographing test charts. Of course these large format lenses of the 1930s and today are slow, about f/5.6 typically. Small format and digital lenses work best at about 2 stops down.

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I believe that the key to adding flash to your photographic toolkit is to let the flash unit work automatically; allow it to do its own magic and don’t worry about how it works. This contrast sharply with the goal that we must all learn to understand and control exposure in order to make good images; but while it is important to understand learn to manually control exposure, flash units are much ‘smarter’ than your exposure meter and should be just allows to work automatically.

Just about any camera, regardless of how good or bad it is, can be used to create outstanding photographs for magazine covers, winning photo contests and hanging in art galleries. The quality of a lens or camera has almost nothing do with the quality of images it can be used to produce.

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Just about any camera, regardless of how good or bad it is, can be used to create outstanding photographs for magazine covers, winning photo contests and hanging in art galleries. The quality of a lens or camera has almost nothing do with the quality of images it can be used to produce.

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